Anatsui El

El Anatsui, born in 1944 in Anyako, Ghana, is a distinguished Ghanaian sculptor renowned for his innovative and inspiring artworks. As a member of the Ewe Nation and the son of a master weaver of Kente cloth, creativity ran in his veins. He pursued artistic training at the College of Art, Kwame Nkrumah University of Science and Technology in Kumasi, Ghana, which is among the country’s leading academic institutions.

In 1975, after completing his studies, El Anatsui embarked on a long and influential teaching career at the Fine Arts Department of the University of Nigeria, Nsukka. Over more than four decades, he and his colleagues there focused on reviving and incorporating traditional Nigerian artistic elements, like Uli and Nsibidi, alongside indigenous Adinkra symbols and other Ghanaian motifs, into contemporary art. This effort not only enriched his work but also helped invite a broader appreciation for African art.

El Anatsui’s studio practice, based in Nsukka, Enugu, Nigeria, and Tema, Ghana, is a hub of creativity where some of the world’s most beautiful and thought-provoking artworks are conceived. Known for his large-scale sculptures made from unconventional materials like liquor bottle caps, cassava graters, and newspaper printing plates, Anatsui’s work defies easy categorization. These materials reflect his commitment to themes of reuse and transformation, connecting deeply with his African roots while also addressing global concerns such as colonialism, consumption, waste, and environmental issues.

His most acclaimed pieces involve thousands of folded and crumpled aluminum bottle caps, expertly bound together with copper wire. These sculptures, which are both luminous and weighty, achieve a remarkable balance between meticulous craftsmanship and a dynamic adaptability that allows them to take on new forms with each installation.

El Anatsui’s artistic legacy is cemented in numerous prestigious collections around the world, including The Metropolitan Museum of Art and The Museum of Modern Art in New York, the National Museum of African Art at the Smithsonian Institution in Washington DC, The British Museum, and the Vatican Museum. His profound influence on the art world was further recognized in 2023 when he received the prestigious Hyundai Commission from Tate Modern.

El Anatsui’s work continues to transcend the limitations of place and time, making him one of the most acclaimed artists in African history and a leading figure in contemporary art globally.

Paper and Silver, 2024

Checked Key, 2021

Untitled (Black Frame), 2013