Johns Jasper

Jasper Johns is celebrated as one of the most influential artists of the 20th century, renowned for his pivotal role in steering American art away from Abstract Expressionism and towards more tangible, conceptual forms like Pop Art and Minimalism.

Born in Augusta, Georgia, and raised in South Carolina, Johns exhibited a passion for art from a young age. His academic pursuit at the University of South Carolina was brief, followed by a decisive move to New York City in the early 1950s. There, he immersed himself in the vibrant art scene, forming connections with influential figures like composer John Cage, choreographer Merce Cunningham, and painter Robert Rauschenberg. These relationships fueled his creative vision.

A pivotal moment came during a visit to Pennsylvania, where Johns encountered Marcel Duchamp’s “The Large Glass.” Duchamp’s innovative “readymades” deeply impressed Johns, inspiring him to explore everyday objects in his work.

Johns’ early work, characterized by depictions of flags and maps, challenged conventions and captivated the art world. In 1958, Leo Castelli discovered Johns’ work at a Rauschenberg exhibit, leading to Johns’ own groundbreaking exhibition. The Museum of Modern Art’s acquisition of three pieces from his first show marked the beginning of a revolutionary art career. His unique approach, focusing on process as art itself, led Johns to explore printmaking alongside painting. His innovations in screen printing, lithography, and etching reshaped the field and expanded his creative horizons.

While continuing his iconic flag and map series, Johns ventured into sculpture in the 1960s. Using everyday items like beer cans, light bulbs, and paint brushes, he created intriguing collages that blurred the lines between painting and sculpture.

Collaboration played a significant role in Johns’ career. He worked with luminaries like Andy Warhol, Robert Morris, and Bruce Naumann. In 1967, he partnered with poet Frank O’Hara on a book project, and in the 1970s, he collaborated with Samuel Beckett on “Fizzles,” marking a shift towards simpler, monotone art forms.

The 1970s saw Johns exploring autobiographical themes, a departure from his earlier, emotionless approach. This evolution sparked debate among his followers, but solidified his reputation as an artist unafraid to reinvent himself.

Throughout his five-decade career, Jasper Johns’ distinctive style and pioneering vision have left an indelible mark on the art world. His work, often fetching record-breaking prices, continues to influence contemporary art, cementing his status among the greats like Dürer, Rembrandt, and Picasso.

Flag (from Lead Reliefs Series), 1969

Painting with Two Balls I, 1962