Sorman Steven

Steven Sorman, born in 1948 in Minneapolis, Minnesota, is an internationally acclaimed painter and printmaker celebrated for his intricate multimedia works. He earned his Bachelor of Fine Arts degree from the University of Minnesota in 1971. Today, Sorman resides and creates in Red Wing, Minnesota.

Sorman is renowned for his complex paintings, drawings, and prints, which masterfully weave together themes, lines, layers, media, and colors. His art challenges viewers to engage in a rhythm of eye movement, inviting them to explore every facet of his meticulously crafted pieces.

Steven Sorman’s work has garnered international recognition and is featured in numerous prestigious museum collections. These include:

  • The Stedelijk Museum in Amsterdam, Netherlands
  • The Museum of Modern Art in New York, New York
  • The Whitney Museum of American Art in New York, New York
  • The Art Institute of Chicago in Chicago, Illinois
  • The Walker Art Center in Minneapolis, Minnesota

His art has also been highlighted in solo exhibitions across various countries, including the United States, Singapore, and Sweden, and has been showcased in numerous invitational exhibitions.

Sorman’s artistic prowess has attracted commissions from prominent organizations such as the Springhill Foundation, Prudential Insurance, IBM, Honeywell, and Hyatt Regency. His accolades include:

  • Bush Foundation Artist’s Fellowship (1979)
  • San Francisco Museum of Modern Art Merit World Print III Award (1980)
  • Rockefeller Foundation American Center Artist in Residence in Paris (1982)
  • 2nd Bharat Bhavan International Biennial of Prints Merit Award (1991)

Art critic and curator Mason Riddle has praised Sorman for his ability to subtly evolve and reinvent his art without abandoning his roots. Riddle observes that Sorman excels in maintaining a consistent artistic practice while discriminately borrowing formal elements from his past to create compelling new works. This approach ensures that Sorman’s creative slate is continually refined rather than wiped clean.

Steven Sorman’s legacy is one of confident evolution, where each mark and form is thoughtfully considered, resulting in a body of work that resonates with both the past and the present.

At Least, 1988