Wright Jamele

Jamele Wright is an accomplished artist whose diverse body of work speaks to the rich tapestry of the Black American experience. Born and raised in Ohio, Jamele relocated to Atlanta, Georgia at the age of 22, where he began producing art, jazz, and poetry events. His passion for showcasing the underrepresented led him to establish the Neo-Renaissance Art House, a gallery that celebrated emerging artists.

After curating the gallery for over a year, Jamele shifted his focus to his own artistic career. He pursued academic excellence, earning a B.A. in Art History from Georgia State University, with a concentration in African and African American Contemporary Art. His academic pursuits continued at the School of Visual Arts in Manhattan, New York, where he obtained a Masters of Fine Art. A fellowship at Project for Empty Spaces in Newark, New Jersey further honed his craft.

Jamele’s work is deeply personal, resonating with themes of family, tradition, and the spiritual connections between Africa and the Southern United States. His art is characterized by the use of found materials, Dutch Wax cloth, and Georgia red clay, creating pieces that are both vibrant and thought-provoking. Jamele draws inspiration from the Great Migration of Black Americans, mirroring the hope and resilience of those who sought better lives beyond familiar horizons.

Drawing parallels between his artistic process and the cultural phenomenon of hip hop, Jamele likens his use of materials to the musical technique of sampling. By incorporating fragments of Dutch Wax Cloth into his compositions, he layers history and personal narrative, crafting works that are both individual and universally relatable.

His migration from Atlanta to New York City in 2016 marked a significant shift, not only geographically but also in his perception and artistic direction. Immersed in the urban landscape, Jamele’s work evolved, influenced by the bustling city life and its diverse cultural tapestry. This migration mirrored journeys made by his ancestors during the Great Migration, infusing his work with a profound sense of historical continuity.

Jamele’s art challenges traditional painting forms, encouraging viewers to engage in a dialogue that transcends language and culture. By integrating layers of patterns, textures, and colors, he invites the audience on a visual and emotional voyage, reflecting the relentless spirit and survival of the Black American community. His work stands as both a map and a destination, guiding viewers through a rich landscape of memories and dreams.

Dutch Wax Cloth

The batik material, inspired by Indonesian design, was mass-produced by the Dutch in the 1800s to resell to an Indonesian audience; in the mid twentieth century, having met with sales resistance from the Indonesians, who were perfectly able to make it themselves, they sold it to their colonies in West Africa, where, ironically, it became a symbol of African identity and independence.  

In Transit 1, 2017

In Transit 2, 2017

In Transit 3, 2017

In Transit 4, 2017 / 2018

In Transit 5, 2018

In Transit 7, 2018

In Transit 8, 2017 / 2018

Going Home 16, 2017